Ask an Expert: Conserving & Maintaining Public Artworks
Recorded On: 10/22/2019
Conservators have unique skills and knowledge that help public art administrators in caring for public art collections. For this live, online event attendees will have the opportunity to connect with two public art conservation experts to ask questions regarding the care and maintenance of public art collections. Participants will gain insight into what conservators do, how to find and work with conservators, ways they can help maintain their collection, and more!
- Hear from experts on how to conserve and maintain a public art collection
- Learn about resources available for conservation and maintenance of public art collection
Chief Conservator and CEO, Rosa Lowinger & Associates DBA RLA Conservation of Art + Architecture
Rosa Lowinger is Chief Conservator and CEO of RLA Conservation of Art + Architecture, a firm with offices in Miami and Los Angeles that serves the conservation needs of several dozen public art agencies nationwide. She is a Fellow of the American Institute for Conservation of Historic and Artistic Works, and the 2008-09 Rome Prize Fellow in Conservation at the American Academy in Rome where she conducted a pilot project researching the history of vandalism to public art and public space. Rosa’s career in public art conservation began in 1988 with the treatment of works at Philadelphia’s Independence Hall and continued with the first survey of public art for the City of Los Angeles in 1995. She presently serves as a consultant to over two-dozen public art agencies and the Getty Conservation Institute’s Outdoor Painted Sculpture Initiative, a forum that aims to codify the aesthetics and conservation protocols for care of painted sculpture. She is the author of Tropicana Nights: The Life and Times of the Legendary Cuban Nightclub (Harcourt, 2005).
Robert G. Lodge
President, McKay Lodge Conservation Laboratory, Inc
Bob holds a graduate degree in conservation and has been a conservator in Oberlin, Ohio for the past 36 years. He founded his company 31 years ago and now with a staff of 11 full-time employees is largely engaged in the conservation of outdoor sculpture and public art of diverse media. Because media is so diverse, many of the 7 conservator employees, including himself, has a material specialty, such as metals; casting; stone, mortars and cements; mosaics; electronics, electronic lighting and computers; FRP; industrial coatings; shop and location painting; and automotive finishes. The company operates The Ohio Conservation Center, a complex of three dedicated buildings and grounds with spaces and equipment necessary for rigging, craning, moving and working on the most monumental of artworks.
Bob’s specialties have been industrial coatings on metals (specifications and inspections/failure analyses); relocation of endangered mosaics; and collection condition information management.
For the past 22 years he and his company have been continuously in contract with the U.S. General Services Administration for the nation-wide conservation of government public sculptural fine art and significant architectural ornamentations (commissions dating back into the 19th century) as well as the public art commissions of the GSA Art-in-Architecture program.